I figure between (as I write) the 267 episodes of ShopTalk, 134 episodes of CodePen Radio, 154 video screencasts (and many hundreds more as part of the different series), and all my guest podcast apperances, I’m edging on 1,000 things I’ve voice-recorded for public consumption.
98% of that was with the Rode Podcaster, the same exact microphone I documented using in 2008. I figured it was about time for an upgrade, as I plan to continue podcasting and screencasting for another 10 years! I know audio quality is a big deal. I don’t quite consider myself an audiophile, but I know I prefer listening to podcasts with good audio quality, and I’d like to make sure what I produce is as good of quality as is practical for me right now.
I had our podcast editor Chris Enns on ShopTalk to talk gear’n'stuff, and this setup is largely his recommendations. A good part of the beauty of this setup is that it’s designed around making it sound like you’re in an amazing studio, without actually having to be.
Shure SM7B ($399)
Pictured here with the big alternate big fluffy cover that it ships with, which is helpful for minimizing breathing noises and pop filtering.
As Shure says, the SM7B has:
flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speech.
It’s a pretty dang good microphone. (Chris Enns also recommended the Heil PR 40, which is in the same range.) On my desk, I have a Swivel Mount Boom Arm to put it on, so I can swing it into place when using it, and swing it away when I’m not.
Like most pretty dang good microphones, it’s not “USB”. It has an XLR plug, and you’ll need an XLR cable
Via: The $1,000 Podcasting Setup